Insights
Cornell DeWitt has been at the forefront of connecting audiences and art for over two decades.
In this week’s Frank Talk we speak with Cornell DeWitt.
Bower Blue hosts "The Power of Video Content in the Art World," featuring panelists from the Whitney Museum of American Art, Vice.com and SandenWolff Productions.
Daily Plinth aims to become a one-stop shop for art-themed video.
Part 5 in my increasingly misnamed trio of articles on the art business in 2017
“The History of every major Galactic Civilization tends to pass through three distinct and recognizable phases, those of Survival, Inquiry and Sophistication, otherwise known as the How, Why and Where phases.
For instance, the first phase is characterized by the question How can we eat? the second by the question Why do we eat? and the third by the question Where shall we have lunch?”
The Hitchhiker’s Guide to the Galaxy
Already suffering from fair-tigue? A former director ponders how the format must evolve to survive
The Art Fair is Dead, Long Live the Art Fair!
I was honored to be asked by The Art Newspaper to contribute a comment pondering on the future of art fairs for their March / Armory Week issue. You can find it online here.
It is something of a short fourth installment in this series of essays on the art business in 2017.
“Looking at art in a tent is like eating chicken from a bucket.”
— Ben Genocchio, Executive Director, The Armory Show
“And believe me, a good piece of chicken can make anybody believe in the existence of God.”
— Sherman Alexie, Award-winning author
When my business partner and I launched Joseph Raj Gallery in 1995 as one of the first online art galleries, we were not thinking about being disruptors. We were just trying to share — and sell — the photographers we represented with a market outside of the culturally sleepy province of Boulder, Colorado. 20-some years on, why haven’t we seen the substantial, sustainable art market revolution happen in the ways that pundits have been simultaneously hailing and decrying for all these years?
In advance of TEFAF 2015, the cultural economist talks data and trends.
Article on artnet News by Cornell DeWitt
Panel on contemporary African art at the 1:54 art fair, London, November 10, 2014. Moderated by Cornell DeWitt with Elizabeth Lalouschek of October Gallery, and Henri Vergon of Afronova Gallery.
PULSE Contemporary Art Fair Director Cornell DeWitt speaks to Aesthetica about why PULSE is an antidote to the institutionalized art fair and is at the heart of the New York art scene.
Art Market Monitor sat down with Cornell DeWitt, Managing Director of Pulse Art Fair, to find out what Pulse Miami wanted to convey to the public, how the fair dynamics are evolving and what makes Pulse different from other art fairs.
We were taken on a personal tour of the PULSE Art Fair, Miami 2012 with the festival’s director Cornell DeWitt. A youthful and well-informed director, he shared his passion and enthusiasm for the artists and galleries exhibiting this year during the time he spent with us. We asked him about the highlights of PULSE as well as some insights of what makes this art fair one that is not to be overlooked amongst the 27 others that have descended on Miami during these first weeks of December. What stood out was how the diversity and quality, the festival landscape and layout, and programming of Pulse Special Projects and the Pulse Prize has kept this festival one that is well recognized and established.